Western Art and the Wider World delves into the complex interplay between the Western canon of art, which has evolved since the Renaissance, and the rich artistic traditions of the Islamic world, the Far East, Australasia, Africa, and the Americas. This groundbreaking work challenges traditional boundaries by exploring connections that have often been overlooked or underappreciated in historical narratives.

The book argues for a ‘world art’ perspective long before the widespread adoption of globalization concepts. It charts significant exchanges and influences between different regions, such as the Renaissance encounter with the Ottoman Empire, the profound impact of Japanese art on 19th-century French avant-garde movements, and the influence of African art on early modernist practices.

Through meticulous research and a compelling narrative, the author makes a strong case for reevaluating our understanding of artistic development. This comprehensive exploration also delves into debates surrounding the relationship between ‘contemporary art’ and its historical antecedents, providing readers with a deeper appreciation of the global nature of artistic expression.

Written by a renowned art historian and co-editor of the landmark Art in Theory volumes, this book is an essential read for students, scholars, and anyone interested in the rich tapestry of world art history. It offers fresh insights into how different cultures have interacted through the centuries, reshaping each other’s artistic landscapes.